In post-modern times, is the novel too old-fashioned to survive in the cultural mainstream? The New Yorker takes a look. For example:
There are altogether so many ways to abuse plot that we tend to forget what plot is at bottom—and what is lost when it is dispensed with entirely. Plot dramatizes incident and moves characters through time. In good novels, these functions combine to approximate not only the reality of life, which is of course linear and time-bound, but also, crucially, life’s tendency to defy abstraction and deflate our pretentions—to make fools of us.
Amazon is unwilling to release statistics on its business, but Claude Nougat made an estimate based on what is publicly available: there's a new ebook every five minutes. Also, it appears that ebook author fame can fade fast.
One of the problems of not shopping in a physical bookstore is finding books to give or get. Just in time for the gifting season, NPR debuts a "book concierge" that suggests books based on various criteria, not least that they found them worthy of review. Publishers Weekly comments and links.
It's a list rich in book that aren't published yet. Bookstores are less than thrilled. The Bookseller explains. In another spotlight on the indrustry, one Man Booker debut novel was rejected thirty-plus times. GalleyCat has that story.
Origami Unicorn, news, reviews, essays; Catherine Mintz, a commentary on things of interest. Origami Unicorn is copyright 2006-25. Catherine Mintz is copyright 2006-25.
Consider the Novel
2014.12.03 in Books, Commentary, Novels, Writing | Permalink | TrackBack (0)
Tags: consider the state of the novel, narrative art, post-modern, reading, writing
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